I grew up where the streetlights hum old gospel,
where grandmama's curtains breath the night in slow prayer,
where the corner store knows my name
and the city keeps receipts for every wound.
I learned to walk like I owned a future
they tried to repossess with dried-out promises.
We stitched our dignity into thrift-store coats,
pressed our Sunday best out of yesterday’s grief,
and still we showed up — head high, spine straight,
like the ancestors wired us to survive.
There is a rhythm in our footsteps:
tap, tap, tap — a poem in motion,
a drumline of people who refuse to vanish.
We hustle hope the way folks hustle overtime,
turning leftover dreams into daylight.
Black is not a color on a paper,
it's a ledger full of unpaid miracles,
a ledger we balance with laughter and work,
with babies made under broken streetlamps,
with mothers who pray louder than sirens.
I love you like a city loves its corners —
rough, necessary, always open,
even when the nights threaten to close in.
Your laughter autotunes my heart,
your hands teach me geometry again:
how to measure hold, how to measure home.
We are kings and queens without crowns,
we're crowned by the grit on our fingers,
by the small mercies — warm bread, clean water,
a neighbor's wink, a child's honest grin.
Sometimes the world points a camera at our wounds
and forgets to film our healing.
But we heal anyway — quietly, loudly,
in the church pews and on stoops,
in the classroom and in the studio,
in poems scribbled on napkins,
in the money saved for the medicine.
We are art in slow motion, unedited, raw,
every scar a stanza, every triumph a chorus.
So listen —
the city sings back when we speak.
Lift your voice, fold it into the chorus,
claim the corner, claim the morning.
We will build more than survival here;
we will build a kingdom on the corner,
brick by honest brick, song by stubborn song,
and by God, we will make it last.

