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COLONEL

  colonel
Total poems   24
Lifetime Views   1880
Total poems - 7 days   3
Total poems - 30 days   11
Total poems - 90 days   24
Total poems - 365 days   24
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Concrete Gospel

CATEGORY

life

Views: 6

We baptize the block at dawn—steam rising off manhole lids,
coffee cups like chalices, the corner store neon blinking amen,
a radio scraping gospel from vinyl, someone mumbling scripture
into a microphone made of city air.
Mama’s laugh is a metronome; its rhythm keeps us from folding.
We learn harmony on stoops, learn to harmonize survival:
two parts hustle, one part prayer, a bridge made of shared looks,
of kids teaching each other how to cross streets and not give up.

The train is our choir— its brakes a hymn, the flash of tunnels
a rolling cathedral where bodies press like psalms in motion.
We trade names and nicknames, ancestry wrapped in syllables,
say them loud enough so the pigeons remember where we're from.
Granddad’s hands still smell of iron and ambition;
he hands me a map that’s not on paper but on muscle memory,
a ledger of shortcuts and warnings stitched into his knuckles.
We keep his ledger alive: the corner barber, the bodega’s nod,
the woman who waters the stoop plants like she’s baptizing hope.

We rhyme to name the wounds and the wealth of what we are—
pavement poems, spray-can scriptures, murals that say we were here.
Sirens practice their arias but our voices overlap them,
we sing louder: a chorus of damp socks, broken light bulbs, and fresh sneakers,
of first kisses behind chain-link fences, of babies baptized with spit and love.
There is an old pulse beneath the asphalt—bass drum of ancestors,
a rumble that answers when we call out our truths at 2 a.m.
Honest, raw, polished in the palms of the ones who keep watch.

This is how we pray: not with hands closed but hands building.
We hammer rhythm into plywood and into each other's backs,
we fold newspapers like flags, fold our mistakes into lessons,
and pass them like hymnals from one generation to the next.
Sometimes faith looks like folding laundry, fixing a leak, calling somebody back.
Sometimes it is spitball hope—caught between teeth, kept safe.
We are the choir who learned to sing through smoke, through rent slips,
through the kind of grief that teaches you to be tender by force.

When the streetlight glitches, we improvise: scat, snap, clap.
We make jazz out of the stop-and-go, make a sermon from a traffic jam.
And in the sudden lull—the hush between trains—we listen:
the city exhales, and in that breath the names of our dead
swing like porch-chimes, keep time with our stepping.
We speak in refrains: remember, rebuild, return.
We are not monuments of marble; we are the daily work of mercy,
concrete and heart, polished by footsteps and the gospel of grit.

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